MGMT (Finally, A New Post)

Sorry dear readers;

I have been absent for some time now. This is for two reasons: 1) there hasn’t been anything that has wowed me recently, so I haven’t had a strong desire to write about anything and 2) I have a new writing job with one of my favourite websites, The Impersonals (you should check it out). But, I didn’t want to ignore you any longer so I thought now would be a good time to write a post.

Like I said, with the exception of Santigold and Jack White, there hasn’t been a lot of anything new I have really wanted to share. So I went back into my listening history and noticed I have been listening to MGMT quite a lot. Their debut album, Ocular Spectacular (released in 2007) is a perfect album to pair with sunshine, sandals, and shorts. More simply, it is great summertime music; specifically the song Time to Pretend.

MGMT are, for the most part, super upbeat, complex and very interesting with hooks that’ll stay in your head for weeks. Driven mostly by the keyboard, MGMT’s music comes off as light and vibrant. Kind of what it feels like to be a carefree teen on summer break: life full of friends, parties, and late nights.

So. Spend your summer with an excellent soundtrack and listen to Ocular Spectacular on repeat.

Enjoy.

The Shins – Port of Morrow

As I sit here listening to Port of Morrow, The Shins‘ newest album, I am elated with the result of the much anticipated return of the indie giant.

When people think of the Shins’ greatest accomplishments it probably goes like this, in order of greatest to least: Being mentioned in Garden State; New Slang; Oh, Inverted World; Chutes Too Narrow and; Wincing the Night Away (an album that I believe was overly criticized due to impeccable producing; people were used to a rawer sound from the Shins). However, after the release of Port of Morrow I think that list may change. James Mercer, the Shins’ frontman, has done an impressive job of mixing the brilliance of Oh, Inverted World and Chutes Too Narrow with the great production value of Wincing the Night Away.

Mercer has always been great at creating a new sound from influences from multi-genre music. Port of Morrow is no exception to his talent. Its full of poppy hooks, country stylings, with hints of oldies rock and the softness of a singer-songwriter.

Take a listen to the enchanted ‘September‘ and tell me it doesn’t remind you of the classic Shins’ sound. I dare you; you can’t.

Although, my favourite track is still the boisterous ‘Simple Song’. It also has a pretty cool music video. Check it out below.

Enjoy.

Guest Post (Davey Shook) – Vitamin Wig C

‘Vitamin Wig C’ has been creating esoteric music since 1997, along with a few key interchangeable members. Having spent the last several years recording and performing all over the California coast, compiling thousands of hours of material with his Edirol stereo recorder of whatever sound was available. From living in a car and tent making feild recordings, and picking up free craigslist organs, to buying and returning keyboards from guitar center, and borrowing every manner of instruments and studio Robbie intrepidly continues to produce. Robbie then meticulously crafts each track into a singular musical vision, a collage of musical moments working through the existential problems of his siddarathian existence in a sonic notebook of over 3,000 songs. The album Dawn Adults plays like very few records I’ve ever heard. Tapping into the collective musical unconciousness to reveal the babbling toddler of the musical id through synaesthetic musical landscapes. Wild stream of consciousness driven vocals and use of the voice as an instrument with out lyrics or even singing with reverb soaked organs and minimal pulsing beats that swirl around in stereo. The sense of spaciousness to the recording opens up like a sunset party at an island retirement home where the one man lounge band is on heavy psychedelics and ravers distribute the medication to the eldery residents and the recording was picked up off their hearing aids. Or any number of other overly vivid metaphors. Spanning influences that range from Suicide and Martin Rev, Can, Brian Eno, Joe Meek, and Cluster, as well as his own visual art practices, mainly consisting of drawing, graphic design, and video. Robbie designs all of his own artwork and music videos, as well as indivdual video and sound projects. His artwork can be seen at http://vitaminwigc.tumblr.com or http://www.youtube.com/vitaminwigc. He is also fundraising to release Dawn Adults and other albums that are fully and partially completed, all of the download proceeds on bandcamp go directly to releasing the albums. Here is the link to Dawn Adults
http://vitaminwigc.bandcamp.com/album/dawn-adults, make sure to check out the other albums too especially Dawn Adults 2 and Ouroboros Nevada!

Lambchop – Mr. M (Gone Tomorrow)

Lambchop

In my opinion there are two inspirations for music. The first is to make a popular record; essentially to sell a song. Please do not take this the wrong way. I do not think this is necessarily a bad thing. Society needs broad music to interest people in an art form. There are genuinely great musicians that fall into this category too: the Beatles, Elvis Presley, even the coveted Beach Boys. They knew how to write wonderful music so that mass amounts of people could derive pleasure for it. I admire this. There is something good to be said about musicians that aim to make people’s’ lives better.

The second inspiration is to express personal honesty. You are probably saying, “hey! why can’t the above inspiration also be about honesty”. It can be, I don’t think that these two are mutually exclusive. There is overlap I’m sure. Once in awhile there exists an artist that is exclusively inspired by their honest experiences; musicians like, Bob Dylan, Cat Stevens and from a different angle, Radiohead. Recently I have been listening to Lambchop’s latest album Mr. M, specifically the song ‘Gone Tomorrow’ and it has evoked the same feeling. Their music is melancholy in a very truthful way. Even though I have no clue what they are actually singing about I can relate to their songs in a very real way. ‘Gone Tomorrow’ is not only a fantastic song, but an amazing music video full of the same emotion the song holds.

Listen. Watch. Enjoy.

Sleigh Bells – Reign of Terror

Sadly I didn’t have this blog when Sleigh Bells released their first album, Treats. If I did have this blog then it may have been called “I like Sleigh Bells, a lot!” – so I guess it isn’t very sad after all. That would have been a terrible name.

Luckily, I am able to tell everyone how much I like Sleigh Bells now because they have recently released a new album, Reign of Terror. If Sleigh Bells do anything right it is creating heavy, driven guitar hooks. Don’t believe me? Take a listen to ‘Born to Lose‘. See, I told you so.

This is what first caught my ear when I had the privilege of listening to Treats, especially ‘Riot Rhythm‘. Sleigh Bells have an uncanny way of exuding cool. Everything from their lyrics to their “I don’t give a what”, all-the-way-to-eleven, loud drums and guitars. It is what I imagine today’s pop music would be like in a postapocalyptic world where the only way to survive is gladiator style battles in coliseums. Sleigh Bells would be the soundtrack to introduce every new fighter and everyone would love it.

There is nothing relaxing or chilled about Reign of Terror. It is enjoyable and carefree. Definitely worth getting.

Enjoy.

Sleigh Bells – Comeback Kid from Mom+Pop on Vimeo.

Cloud Nothings – Attack on Memory

The 60s, 70s and 80s have all seen their days in the limelight and have all made a triumphant return into popular music. This is all well and good for those decades and the children for those decades, but I am turning blue as I hold my breath in anticipation of a 90s comeback. It seems I can metaphorically exhale because Cloud Nothings have released an album, ‘Attack on Memory’, which is a beacon signalling the advent of 90s rock’s return.

The opening song, No Future/No Past, sounds like a lesser known Nirvana B-Side. A great song full of angst, raw energy and an emotion of the teenage unknown; not knowing who you are or where you are going.

The rest of the album is an irreverent display of seeming disdain for anything pop. Although the album is rife with big guitar hooks and catchy choruses it is paired with gruff vocals, off beat rhythms, and anti-melodies. Cloud Nothings have also veered toward less radio friendly instrumental interludes.

My favourite song, Wasted Days, splits about halfway through with a jam session that will make your heart beat right out of your chest with excitement. As the tension builds and builds you are left awaiting sweet relief. Momentarily you are given respite as the music slows, but this only adds to the effect of discomfort as the tension rises again this time with the help of the lead singer, Dylan Baldi. Baldi draws you in with his repeated mantra of disappointment, “I thought/I would/Be more/Than this”, until everything explodes into a fury of drums, guitars, and angry yowls.

‘Attack on Memory’ is an exciting album that shows us what youth of today can do with the lives they face. Cloud Nothings’ music seeps into your head so even when your iPod is off you can still hear them play. I highly recommend this album. Listen to it over and over, and as always…

Enjoy.

The Shins – Simple Song

I was sent back to grade 11 when I heard The Shins latest release, ‘Simple Song‘; figuratively speaking of course, my Delorean is in the shop. This is The Shins first release in nearly five years, enough time to actually build some nostalgia for them.

I can’t tell you how glad I am that they didn’t disappoint. It is beautifully written and fully of positive emotion; just the song to help us through the misery of winter. What more is that we have something to look forward to. Port of Morrow, which is the upcoming album that ‘Simple Song’ belongs to, is set to be released the beginning of March.

‘Simple Song’ is uplifting, full of harmonious guitar riffs, crashing drums, and a chorus that will stick in your head like ju jubes to your teeth. It is poppy and fun, with a complex simplicity indicative of The Shins. I am also forever impressed with the vocal stylings of James Mercer. He makes it seem effortless in a way that will make you sing along (don’t try though, you will be sadly disappointed how your voice compares).

Listen. Listen again, and repeat.

Enjoy.

2011 in review

The WordPress.com stats helper monkeys prepared a 2011 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 13,000 times in 2011. If it were a concert at Sydney Opera House, it would take about 5 sold-out performances for that many people to see it.

Click here to see the complete report.

Contribute

Click the link below to find out how you can contribute to TheSubjectiveListener. Your destiny awaits…

Contribute.

The Weeknd – Echoes of Silence

Christmas came early on December 22nd when the Weeknd released his final instalment, Echoes of Silence, in the trilogy that began with House of Balloons.

Echoes of Silence makes you feel like you’ve done something wrong. It is dark, bleak, and disturbed; all in a good way. I imagine this is what it would sound like if Trent Reznor did R&B, at least if he produced it.

The hit song, ‘D.D.’ is the opening track and is an impressive rendition of Michael Jackson’s ‘Dirty Diana’. This is how Michael should have done this song. ‘D.D.’ is truly in the vain of the trilogy (which the Weeknd announced would be released as a set, remastered and with bonus material via his twitter);

it is about a girl willing to sell herself for a chance in the spotlight, which is exactly what the Weeknd offers in ‘Wicked Games’: “Bring your body baby I can bring you fame.” Not the prettiest of motifs and the music reflects that. ‘D.D.’ is backed by thundering industrial drums and echoing tunes. The Weeknd set a high bar with House of Balloons and ended the year meeting all expectations with Echoes of Silence.

Definitely a strong contender for the best musician of the year, which is surprising considering the Weeknd seemed to come out of nowhere.

Here is ‘D.D’ for Echoes of Silence.

Enjoy.